The museum provides the environment and inspiration for community-generated projects. If you have an idea for a project (exhibit, workshop, forum, performance, etc), please contact us. Here are some examples of past community-generated projects.
Photographs by Christina Koutsoukos and works of art by students at Quine Orchard High School
This memorial exhibit, curated by Nina Cordaro, is a tribute to her cousin Christina Koutsoukos. Christina was a budding young photographer when she was killed in an automobile accident at the age of 18. Her dreams and creative vision live on through her photos, which are on exhibit, alongside works of art by some of her talented friends. On several dates, photos will be sold to raise money for a charity in Haiti that Christina supported.
Color, Community and Connection, October 1 – November 19, 2016
Works of art by Maryland Colorists created in Sandy Spring of local scenery, residents, and artifacts in the museum’s collection. The artists presented a vision of continuously pursuing the expression of light’s myriad effects and how it illuminates the world around us. Whether a dark moody interior, the somber light key of a grey day landscape, an atmospheric high key composition, or the saturated effect of a juicy ripe fruit under the bright summer sun, every subtle nuance was explored in this exhibition. From landscapes and figurative works painted around Sandy Spring to still life paintings of artifacts in the Museum’s collections and plein-air portraiture of Sandy-Springers, viewers connected with the vibrancy that is Sandy Spring. Maryland Colorists: Michele del Pilar, Melissa Gryder, Abigail McBride, Nancy McCarra, Sarah Wardell, and Andree Tullier.
ARTINA: Art in Nature Sculpture Park, June 30 – September 30, 2016
Visitors experienced an unexpected encounter with art and nature, set on the Museum’s rustic grounds and throughout the adjacent woods, as 11 members of the Washington Sculptors Group showcased site-specific and time-based sculptures. Renowned art historian Martine Van Kampen of the Netherlands served as the exhibition’s juror. Several of these sculptures were constructed with community participation. The 11 artists who Van Kampen selected were Allan Arp, c.l. bigelow, Jeff Chyatte, Eve Hennessa, Jin Lee, Darcy Meeker, Vanessa Niederstrasser, Salvatore Pirrone, Mike Shaffer, Diane Szczepaniak, and Fabiola Alvarez Yurcisin.
How often do you drive through Sandy Spring on Route 108 and not stop to think about the area and how it came into existence? If you don’t take time to slow down and enjoy your surroundings, this exhibit was created for you, with more than 40 pieces of artwork in various media created by the artists of the Olney Art Association (OAA), each one telling its own unique story about the community as interpreted by our very talented neighbors.
Objects of Significance, June 8-September 3, 2016
Everyone has objects, heirlooms, or other personal items that hold special meaning about their origins, identity, or history. On display in this exhibit were objects, artwork, and artifacts of significance that people brought with them to the U.S. to maintain important cultural traditions. We examined the many reasons why people immigrate and migrate, the things they bring with them, and the things they leave behind.
Sandra Atkinson, Light Switch Dance Theatre, founder and artistic director of Light Switch Dance Theatre created a site-specific modern dance piece on the history of Sandy Spring. Sandra described the project this way, “I conducted research at the museum’s archives for about six months and visited various sites in the area, like the Quaker Meeting, the Sandy Spring, and the Underground Railroad Experience Trail, just to get a feel for the place. It seems that most people know that the Quakers freed their slaves about 50 years prior to the Civil War but I wanted to learn more about how the lives of Quakers and African Americans intersected in the years after the War. One of the most interesting documents I found in the archives was a receipt from a land purchase. It was a transaction between two women – one white and one black.” So how does this become a dance? “The movement is generated through words and images from my research. You will not see a literal interpretation of local history but you will see gestures that evoke certain images. My hope is that the experience of watching the dancers will make people want to engage in conversation.” Sandy Spring Project: Frame of Mind was accompanied by an original score written by Wesley Meyer, who will also be performing live at the event. One section of the dance piece was performed by students in the conservatory teen program at the Sandy Spring Studio of Ballet Arts.